Arborescence

(since 2024)

Arborescence is series of oil paintings depicting human figures and tree-like abstractions enmeshed in colorful entanglements. This body of work meditates on our broken relationship with the Earth – one that relegates “nature” to a realm outside of and apart from the human, an inert object devoid of agency, a resource to be controlled, commodified, and exploited. Trees and birds and rocks and rivers are rendered mere matter, rather than beings in their own right. 

Through painting, I seek to visually affirm a fundamental oneness: we are the Earth, not separate from it. In my compositions, the intertwined human and arboreal bodies collapse binaries between nature and culture, human and nonhuman, self and other, individual and collective. The work of restoring kinship with the more-than-human world is the work of widening our circles of compassion – beyond self, beyond family, beyond nation – to encompass the entire planet. Grounded in an expansive reciprocity, interdependence, and care, Arborescence seeks to make space for both grief and hope in the face of ecological crisis.

Symbionts (left: Douglas Fir, right: Paper Birch), installation view

This diptych draws upon the work of forest ecologist Suzanne Simard, whose pivotal research two decades ago helped establish that trees communicate and share nutrients via underground networks of mycorrhizal fungi. For her doctoral thesis, Simard used radioactive carbon isotopes to investigate exchanges between Douglas Fir and Paper Birch trees in the forests of British Columbia. Her work ushered in a paradigm shift in the way we conceptualize trees – not discrete entities ruthlessly competing over scarce resources, but rather symbiotic members of cooperative, interdependent social communities. Far from a Darwinistic pursuit of individual self-interest, survival is reframed as an entangled process of collective becoming.